When she says they have no money, he sexually assaults her. Deputy Waterhouse sees Wyeth and his frightened brothers, then only children, outside. Waterhouse finds Proctor raping the boys' mother.
Proctor returns to the cabin with food only to be confronted by the husband who beats him and runs him off. Proctor returns with Waterhouse and kills the father.
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As Waterhouse protests, the mother shoots at the two policemen. Waterhouse shoots back and fatally wounds her.
Two Graves () - IMDb
Proctor shoots the father in the head and aims at Wyeth before Waterhouse stops him. Wyeth kneels over his mother, who whispers something to him before dying. Waterhouse and Proctor then take the two bodies to the quarry. Back in the s, Wyeth tells Waterhouse that he knows Jake is about to push Willie into the quarry, setting herself up for a lifetime of pain and regret.
Waterhouse says he knows she won't do it. Waterhouse asks if he knows the old saying about revenge - "Before you embark on a journey of revenge, dig two graves. As they die, Waterhouse and Wyeth embrace each other as they once did when Proctor raped the mother, apparently forgiving each other in the process. Jake struggles to push Willie. When she realizes that Wyeth only said "someone" had to die, Jake jumps herself and lands in the water.
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She sees the figure of her brother below her. Sean swims up to her and pulls the necklace from around her neck before disappearing into the depths. Jake hears Willie calling to her from above as she swims back to the surface. The film began as a short called Jake's Choice , filmed in northeast Wisconsin. The intention was for it to provide a fundraising tool, but as director Hunter Adams admitted to I Am Entertainment Magazine , it chiefly "helped [him] clarify the visual and aural design of the film".
Production took place over at total of five weeks: four weeks in January and one week in the summer. Fishwick and associate producer Philip S. Plowden Cellar Door and Jupiter Ascending  along with Adams agreed that the area gave the film the visual look needed to maintain authenticity under a low-budget. The location was chosen, not only for its antebellum look that allowed Dig Two Graves to tell its story in two different time periods but also for its own bloody history.
Many of the area's well-known historical sites were used as backdrops for the film including,. Producer P. Fishwick had also collaborated successfully with Southern Illinois University's SIU cinema department and brought students on as interns to work on the production of Dig Two Graves.
Several snakes are used throughout the film, but one claimed the most screen time. Sintullo is a venomoid timber rattlesnake of the canebrake variety. His handler, Tony Gerard,  is a biology instructor at Shawnee Community College and often uses Sintullo to educate local schools about reptiles. Doc Rotten  for Horror News - " Dig Two Graves is exquisite and captivating, a haunting and darkly beautiful tale of grief, sorrow and regret [ Ushering the film along is Ted Levine as the patriarch of the family and the leader of the quiet small town, his performance is nuanced and layered leaving the audience hanging on each gruff syllable.
Dig Two Graves is bitter sweet, haunting and richly rewarding, a must see. Ian Sedensky for Culture Crypt - "Coldly captivating, but burning beautifully with an authentic Midwestern feel, cinematography is cleverly plotted without being unnecessarily creative Florita A. He makes the quarry and surrounding woods feel almost like a character unto themselves, and he shows off striking underwater shots, as well.
Scott D. Hanson certainly deserves mention for his skillful editing. The score by Brian Deming, Ryan Kattner, and Joseph Plummer subtly heightens the tension and perfectly sets different moods throughout. From Wikipedia, the free encyclopedia. This article may require cleanup to meet Wikipedia's quality standards. The specific problem is: In line refs to be replaced with WikiLinks, formatting of other references.
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Standerfer, etc. Research Site. The Bloody Vendetta of Southern Illinois. Illinois History. Shawnee Community College. HNN Horrornews. Retrieved The emperor being possessed drove the entire Imperial Edition story arc and would put honor and what it meant to the test for all of the clans. There are so many amazing moments in each arc of L5R fiction but for me the moment that stands out in the Imperial Arc before the Day of Thunder of course is the death of Matsu Tsuko.
Lion Clan champion. The Lion clan had been split into two factions. The L5R team were not just working on the game. They were fans and we all identified with the different clans and it was no secret that the lead Dave Williams was a huge Lion clan fan and Matsu Tsuko was HIS champion. Before we would begin work on each new set we would have a big meeting and discuss what was happening with the story, game play, etc.
In one particular meeting we were discussing the marketing moments that were upcoming in the story. There was some cool stuff but nothing that really made us stand up and say wow and so we brainstormed more ideas. At one point in the meeting. I believe John Wick said. She could commit seppuku to restore her honor and reunite the broken Lion clan. It is a very delicate subject and was something I told the L5R team from the beginning that we would not throw around lightly.
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When this was suggested. Dave went red in the face and just stared at us for a second and then he blurted something to the effect of. My understanding of samurai fiction was still in its infancy but I fully understand the reaction that we wanted players to have and this felt like the perfect penultimate moment to lead us into the Day of Thunder. While that clans battled each other and Fu Leng for control of Rokugan an even bigger battle for the fate of the Empire was being fought back at our offices. When one would end we would begin another. First L5R was just starting to gain momentum and second, we were having trouble designing the second CCG.
Turns out that designing a CCG from the ground up is hard work and we were in no position to promise delivery of a replacement for L5R.
The options were: Keep the promise and end L5R as scheduled, or break the promise and keep making new L5R content after the end of the Clan War storyline. The battle that ensued between Ryan and I was a knock down drag out affair that lasted weeks. We wanted to stay on plan and a lot of topics were discussed but the big reasons we decided to continue publishing L5R were, first L5R was just starting to gain momentum and second, we were having trouble designing the second CCG. Ryan finally conceded but it would not be until The Day of Thunder that he felt it was actually the right decision.